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	<title>Recording and Live Sound Tips and Tricks</title>
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	<link>http://ryansound.com</link>
	<description>Recording techniques, how to articles, perspectives, ideas, tips and observations.</description>
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		<title>The Home Recording Show Mix Submissions</title>
		<link>http://ryansound.com/?p=184</link>
		<comments>http://ryansound.com/?p=184#comments</comments>
		<pubDate>Wed, 10 Mar 2010 08:16:09 +0000</pubDate>
		<dc:creator>ryan</dc:creator>
				<category><![CDATA[recording techniques]]></category>
		<category><![CDATA[Home Recording Show]]></category>

		<guid isPermaLink="false">http://ryansound.com/?p=184</guid>
		<description><![CDATA[If you did not hear the Home Recording Show #67, check it out.  Here are all of the mix submissions.
Listen to the show
Here are the mixes:
Ryan Canestro
Download Mix
Jesse Zoller
Download Mix
Jon Tidey
Download Mix
Allen Wagner
Download Mix
Anssi Tenhunen
Download Mix
Dave King
Download Mix
Dave Ondusko
Download Mix
Dennis Zasnicoff
Download Mix
Irving Isler
Download Mix
Mark Bodah
Download Mix
Mike
Download Mix
Neil Gray
Download Mix
William Rigout
Download Mix
Dave Chick
Download Mix
Paul Ward
Download Mix
Steve [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=184</wfw:commentRss>
		<slash:comments>11</slash:comments>
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		<item>
		<title>Tip the Sound Guy!</title>
		<link>http://ryansound.com/?p=180</link>
		<comments>http://ryansound.com/?p=180#comments</comments>
		<pubDate>Thu, 18 Feb 2010 08:30:42 +0000</pubDate>
		<dc:creator>ryan</dc:creator>
				<category><![CDATA[live sound]]></category>
		<category><![CDATA[sound engineer]]></category>
		<category><![CDATA[sound guy]]></category>

		<guid isPermaLink="false">http://ryansound.com/?p=180</guid>
		<description><![CDATA[If you ever have a really important show, tip the sound guy before the show and they will take much better care of you!
This is obviously not some unknown earth shattering revelation, but it may be something that is overlooked.  Many working sound professionals have 5 bands thrown at them per show in a club [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=180</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Swapping Tubes in Guitar Amps to Get Different Sounds</title>
		<link>http://ryansound.com/?p=148</link>
		<comments>http://ryansound.com/?p=148#comments</comments>
		<pubDate>Tue, 12 May 2009 07:08:11 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[EQ]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[home recording]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording techniques]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[12au7]]></category>
		<category><![CDATA[12ax7]]></category>
		<category><![CDATA[RCA tube]]></category>
		<category><![CDATA[tube]]></category>
		<category><![CDATA[tubes]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/?p=148</guid>
		<description><![CDATA[Recently on The Home Recording Show I interviewed Kent Holmes.  We swapped out preamp tubes to get different tones out of different amps.  Check out HRS Show #34 to hear the interview for all the details.
Below are all 27 clips that we recorded.  Only 9 of them were able to make the show because of [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=148</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Avoid the Angry Computer</title>
		<link>http://ryansound.com/?p=108</link>
		<comments>http://ryansound.com/?p=108#comments</comments>
		<pubDate>Sat, 08 Nov 2008 05:52:04 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[home recording]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[computer based recording]]></category>
		<category><![CDATA[computer maintenance]]></category>
		<category><![CDATA[Home Recording Show]]></category>
		<category><![CDATA[preventative computer maintenance]]></category>
		<category><![CDATA[recording computer]]></category>
		<category><![CDATA[Ryan Canestro]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/?p=108</guid>
		<description><![CDATA[As I am sure that most modern recording setups have a computer sitting at its core, keeping that computer happy should be a priority.
In last week&#8217;s Home Recording Show I outlined the problem areas, solutions, and some preventative maintenance to avoid catastrophe.    Among the tips are to backup often, keep off site backups, reformat recording [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=108</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Guitar Amps, Virtual and Otherwise</title>
		<link>http://ryansound.com/?p=92</link>
		<comments>http://ryansound.com/?p=92#comments</comments>
		<pubDate>Fri, 07 Nov 2008 23:48:20 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[guitar]]></category>
		<category><![CDATA[home recording]]></category>
		<category><![CDATA[live sound]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording techniques]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[future of guitar amp]]></category>
		<category><![CDATA[guitar amp]]></category>
		<category><![CDATA[guitar amplifier]]></category>
		<category><![CDATA[guitar plugin]]></category>
		<category><![CDATA[Ryan Canestro]]></category>
		<category><![CDATA[tube amp]]></category>
		<category><![CDATA[virtual guitar amp]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/?p=92</guid>
		<description><![CDATA[Growing up in the late 70&#8217;s and early 80&#8217;s put me right in the middle of the pre and post digital age in my formative years.  As a young guitar player I quickly learned that the old tube technology in guitar amplifiers would give me a much better tone than the solid state technology.  The [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=92</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Shure SM57 and SM58 vs. GLS Audio ES-57 and ES-58</title>
		<link>http://ryansound.com/?p=77</link>
		<comments>http://ryansound.com/?p=77#comments</comments>
		<pubDate>Wed, 18 Jun 2008 02:52:30 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording techniques]]></category>
		<category><![CDATA[Cheap Mics]]></category>
		<category><![CDATA[ES57]]></category>
		<category><![CDATA[ES58]]></category>
		<category><![CDATA[GLS]]></category>
		<category><![CDATA[GLS Audio]]></category>
		<category><![CDATA[GLS vs. Shure]]></category>
		<category><![CDATA[Shure]]></category>
		<category><![CDATA[Shure replacement]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/2008/06/17/shure-sm57-and-sm58-vs-gls-audio-es-57-and-es-58/</guid>
		<description><![CDATA[(For the podcast segment I did on this topic at Home Recording Show, please click here.)
There has been much debate over how similar or how different the Shure SM57 and SM58 are against the GLS Audio ES-57 and ES-58 series of microphones.  I have read several reviews and there seem to be two distinct [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=77</wfw:commentRss>
		<slash:comments>11</slash:comments>
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		<item>
		<title>My Basic Tracking Signal Chain: Mic &gt; Pre &gt; Compression &gt; DAW</title>
		<link>http://ryansound.com/?p=76</link>
		<comments>http://ryansound.com/?p=76#comments</comments>
		<pubDate>Tue, 17 Jun 2008 21:28:13 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[compression]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording techniques]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/2008/06/17/my-basic-tracking-signal-chain-mic-pre-compression-daw/</guid>
		<description><![CDATA[I always use compression when I am tracking.  Be very careful to make sure that you are not using too much from the start because just like salt on food, you can not remove what you have already used and you can always add more later.
When you compress a signal, in simplest perceived terms, [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=76</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Want to do a podcast, but your collaborators are in another state or country?</title>
		<link>http://ryansound.com/?p=72</link>
		<comments>http://ryansound.com/?p=72#comments</comments>
		<pubDate>Tue, 20 May 2008 07:16:06 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[EQ]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording techniques]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/2008/05/19/want-to-do-a-podcast-but-your-collaborators-are-in-another-state-or-country/</guid>
		<description><![CDATA[With a geographically undesirable partner for your show, traditional methods will certainly limit your ability to get together unless you have both an ISDN line (service and expensive equipment), already own a private jet, or you like spending an obscene amount of time in the car.  There is another way.  And get ready [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=72</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How Should I Record This&#8230; Direct, Microphone, Reamp, and/or Using Emulation?</title>
		<link>http://ryansound.com/?p=71</link>
		<comments>http://ryansound.com/?p=71#comments</comments>
		<pubDate>Tue, 20 May 2008 05:47:26 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[EQ]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[live sound]]></category>
		<category><![CDATA[live sound resume]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording techniques]]></category>
		<category><![CDATA[Amplitube LE]]></category>
		<category><![CDATA[Countryman Type85]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[di]]></category>
		<category><![CDATA[Fender Deluxe Amp]]></category>
		<category><![CDATA[Marshall DSL 2000]]></category>
		<category><![CDATA[plug-ins]]></category>
		<category><![CDATA[radial]]></category>
		<category><![CDATA[Radial Pro RMP]]></category>
		<category><![CDATA[reamp]]></category>
		<category><![CDATA[SansAmp]]></category>
		<category><![CDATA[Shure SM57]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/2008/05/19/how-should-i-record-this-direct-microphone-reamp-andor-using-emulation/</guid>
		<description><![CDATA[I would have to say that this is one of the worst titles to an article, but it certainly is a question worth asking.  I have recently been interested in reamping.  What this means is that the original source material, like an electric guitar, would have its pickups recorded directly via a direct [...]]]></description>
		<wfw:commentRss>http://ryansound.com/?feed=rss2&amp;p=71</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Top 5 Tips For Setting Up Your PA Monitor System</title>
		<link>http://ryansound.com/?p=67</link>
		<comments>http://ryansound.com/?p=67#comments</comments>
		<pubDate>Wed, 23 Apr 2008 22:30:25 +0000</pubDate>
		<dc:creator>Ryan Canestro</dc:creator>
				<category><![CDATA[EQ]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[live sound]]></category>
		<category><![CDATA[live sound resume]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[recording techniques]]></category>

		<guid isPermaLink="false">http://ryancanestro.com/2008/04/23/top-5-tips-for-setting-up-your-pa-monitor-system/</guid>
		<description><![CDATA[1. Think of each monitor as a separate mix than that of the house mix.
If you have four monitors and a house mix, you effectively have 5 separate mixes (4 mono and one stereo).  If you are then going to make a recording with a &#8220;B&#8221; mix&#8230; You are then looking at 6 independent [...]]]></description>
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